Based on a novel that Albert Camus was working on when he died, we follow Jacques Comery as he travels back to Algeria in 1957, a place full of childhood memories ...
Pierre, a reformed drug addict, is now living happily. A familly man, a still loving husband and the head of a small garbage collection business, he wants to get his neighbourhood rid of its drug dealers and prostitures.
Pascal Rabaté’s film is a burlesque comedy in the pure tradition of Jacques Tati where whimsical skits overlap to result in a near-silent film with crazy charm.
Unbeknownst to her parents, Delphine gives university up to dedicate herself to dancing. A famous New York choreographer will be dropping in her dance class, which could be the chance of a lifetime.
Agathe, an educated but haughty woman, manages a contemporary art gallery while living with her son and her husband, a brilliant book publisher, in an opulent-looking Parisian apartment.
Zak and Seth, two brothers hardly passed their childhood, are spending the summer in their house in the country. Forsaken by their mother, they quickly run out of money. They meet another teenager Dany ...
One morning like any other morning, Paul Wertrer, a bank employee, arrives at his office at precisely 8am, takes his gun out, shoots two managers and locks himself in his office, waiting for the police.
Jacque Cormery (Albert Camus’ alter ego) comes back to his beloved native country Algeria caught in bloody clashes between the freedom fighters and the French colonialists.
Ali, Nasser and Hamza, young people facing social rejection in a suburb of Lille, meet Djamel who knows how to listen to them. His maturity and charisma attract these disillusioned youths who will progressively and inescapably drift towards radical Islamism.
